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With this, Magenta's fourth studio album, band leader
Rob Reed has taken the band to new heights of musical sophistication.
Whereas the last couple of albums have seen Rob tackle relatively
shorter songs, this album is a sort of return to the long
form epics of the first album "Revolutions". The difference
this time is that gone are the too obvious Yes sounding sections
which interwove throughout the material on "Revolutions".
On "Metamorphosis", the songwriting is complex, thoroughly
melodic and thoughtfully arranged and very much the sound
of Magenta now.
Like the album artwork, the music is darker and more
powerful than previous releases. The recent "Singles" compilation
may have given the impression that things were getting lighter
and more commercial. Well "Metamorphosis" is full blown symphonic
prog of the highest caliber. The two lengthy tracks "The Ballad
of Samuel Layne" and the title track, each running for more
than 20 minutes, are amongst the best things the band has
done. Dynamic, edgy and completely satisfying. Christina Booth's
voice has never sounded better. There has always been a dark
edge to her voice, which suits the material here very well.
Guitarist Chris Fry shines throughout this album. Just listen
to his spine-tingling Steve Howe-like slide guitar solo in
the middle of the title track. I was also impressed with Tim
Robinsons precise and varied drumming.
Magenta have been evolving at quite a pace over the last
few years and truly deserve the accolades bestowed upon them
at this years Classic Rock Society awards. This album should
propel them not only to the forefront of the current progressive
rock scene, but make others sit up and listen to one of the
very best contemporary British rock bands around. A complete
triumph!!
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