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"20 Million Miles to Earth: 50th Anniversary Edition"
Reviewer:
Wayne Klein
Studio: Sony Pictures Home Video
Genre: Sci - Fi
Release:
7/31/07
Special Features: Commentary track with Ray Harryhausen, Dennis Muren, Phil Tipett and Arnold Kunert, Joan Taylor interview, "Remembering.20 Million Miles to Earth", ""The Colorization Process", Interview Conducted by Tim Burton of Ray Harryhausen, David Schecter on the Film Music, Photo and art galleries
Review:

A classic Harryhausen fantasy, "20 Million Miles to Earth" was impressive when first released in the 50's with its location photography of a creature brought back by an astronaut (William Hopper best known for "Perry Mason")from the planet Venus that grows to gigantic proportions due to Earth's atmosphere terrorizing Italy. Much of the film was shot on location in Italy and Harryhausen used his most advanced compositing techniques to integrate the creature called the Ymir into real locations including an impressive looking fight between the creature and a stop motion animated Elephant. This new colorized version (supervised by Harryhausen himself) might appeal to the idiotic crowds that won't watch something because it is in black & white (and there are those out there) but even long time fans might be impressed with the use of color here to enhance the film. The good news for fans that want to pick this up for the supplements or who haven't purchased it already is that the film can be viewed in either the colorized version or black & white. ***

This was Harryhausen's attempt to create a truly epic fantasy like "King Kong" the film with visual effects by his mentor and idol Willis O'Brien. While color doesn't improve the films flaws, it does add texture and some nice contrast to the film without diminishing it (although the Ymir does occasionally look more like a miniature to me for some reason with its green scaly body). Although I don't believe in colorizing films the fact that Harryhausen supervised the colorizing himself may take some of the sting out of this "alteration" of the film. Certainly Harryhausen would probably have shot this in color if he had been given a budget generous enough to do so (the follow up to this "The 7th Voyage of Sinbad" was shot in color and Harryhausen made maximum use of the addition creating visual effects that were stunning). ***

While the film doesn't quite reflect the majesty and power of "Kong" (the difference between the two films is the difference between a deluxe Hollywood A budget film and a high quality B movie both due to the budget, acting and scripting), it's an impressive monster movie that Harryhausen surpassed with both "The 7th Voyage of Sinbad" and "Jason and The Argonauts" with his groundbreaking combination of action and visual effects. Director Nathan Juran (who would later helm "The 7th Voyage of Sinbad" for Harryhausen and the "Sinbad" clone "Jack the Giant Killer") does a capable job with the action and working with the actors given the limitations of the script. "20 Million Miles to Earth" is an enjoyable science fiction/fantasy that does an impressive job of holding its own against films that had far larger budgets ("War of the Worlds") and is superior to some of them ("This Island Earth"). ---

Image & Sound:

"20 Million Miles to Earth" looks impressive in this color edition. Contrast is improved with the use of color and while the colors aren't as impressive or vivid as a film shot in the 50's on color stock, it looks quite a bit better than the smeared colors of early attempts that Ted Turner did with his library of films. I've often thought that colorized films look like a very coordinated child broke out their crayons and colored in black and white images. That impression still stands although "20 Million Miles to Earth" doesn't look as offensive as previous attempts with other films. If anything colorized films resemble early 2 strip Technicolor films much more than the rich, vibrant colors of 3 color Technicolor ("Gone with the Wind" would be a brilliant example of this with its rich almost surreally bright colors) or even modern color films which tend to look more natural. ***

Audio sounds fine in its original mono presentation. I'm surprised that there wasn't an attempt to reprocess the original soundtrack for stereo or 5.1 presentation as well.

Special Features:

The real reason to get this is the commentary track with Harryhausen, stop motion animator/visual effects wiz Phil Tippett ("Star Wars: A New Hope") and visual effects wiz Dennis Muren ("Return of the Jedi" among many films). Hosted by Arnold Kunert the audio commentary is trivia filled and zips along courtesy of Harryhausen's ageless enthusiasm. Harryhausen doesn't give up all of his secrets but Muren and Tippett quiz him pretty well. ***

We also have an interview between film director Tim Burton (who, remember, got his start as an animator) and Harryhausen. "Remembering 20 Million Miles to Earth" features various filmmakers/effects folks discussing the impact of the film. ***

"The Colorization Process" is little more than a commercial for the process. Although it explains how the colorization process was done the featurette spends a bit too much time justifying doing this to older films. ***

We also get an interview with co-star Joan Taylor a discussion by film music scholar David Schecter on the score. If many of those musical scores for B-movies sound familiar that's because they were often reused from Columbia's library to keep the film on budget. We also get a collectable comic book, there's both photos and art galleries. The original model for the Ymir no longer exists (Harryhausen used to cannibalize the armatures where are the metal skeletons used to built the stop motion puppets to save money on projects and reused it ironically enough for the Cyclops in "The 7th Voyage of Sinbad" which resembles the ORIGINAL design of the Ymir), we get to see a plaster cast of the model as part of the extras here. ---

Final Words:

This is a fine re-release with some nice additional extras. The main reason to get this edition is the commentary track. Whether or not you want this new edition, will all depend upon whether or not you want the extras which are quite good for the most part and if you want the colorized version of the film.

 

 
 
 
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