|
Search Movie Review
Archives
|
|
|
Dvdivas
was founded by John Gabbard in 2000. It's purpose has been and
remains to be to provide you, the entertainment community with
the latest dvds and movie reviews. It will continue to be your
link to the most popular dvd movies. |
|
“Bob Dylan:
No Direction Home”
|
|
Reviewed
by: |
Wayne
Klein |
Genre: |
Documentary
|
Video: |
1.85:1 Anamorphic
Widescreen |
Audio: |
Dolby Digital
52.0 |
Languages |
English |
Subtitles |
English (5.1),
English (2.0) |
Length |
201 minutes
|
Rating |
NR |
Release Date |
9/20/05
|
Studio |
Paramount
Home Video |
Commentary:
|
None |
Documentaries:
|
None |
Featurettes:
|
None |
Filmography/Biography:
|
None |
Interviews: |
None |
Trailers/TV
Spots: |
None |
Alternate/Deleted
Scenes: |
None |
Music
Video: |
“Positively 4th Street”
unused promotional short, |
Other:
|
“I Can’t
Leave Her Behind” work in progress video |
Cast
and Crew: |
Bob Dylan, Joan Baez, Liam Clancy,
John Cohen, Allen Ginsberg, Woody Guthrie, Al Kooper
|
Written
By: |
None listed
|
Produced
By: |
Martin Scorsese
|
Directed
By: |
Martin Scorsese
|
Music:
|
Bob Dylan
|
The
Review: |
Perhaps inspired by “The Beatles
Anthology” or just the need to finally tell his story without
all the subterfuge that has been at the center of his life
for so long, “Bob Dylan: No Direction Home” captures the essence
of Dylan. Originally aired on PBS as a two-part documentary
on Dylan, we discover that before he became a folk troubadour,
he grew up a small town kid just like a lot of us. Before
he was Bob Dylan he was Robert Zimmerman a talented songwriter/folk
musician looking to forge an identity as distinctive as Woody
Guthrie’s but with all the mystery and allure of a movie star.
Covering Dylan’s life, director Martin Scorsese takes the
various strands of Dylan’s life, music and art and successfully
weaves a rich tapestry. Scorsese and Dylan (who provided the
director access to archived footage and rare recordings housed
at Columbia Records) aren’t afraid to do a little mythologizing
and demonizing as well; we see Dylan become a petulant incomprehensible
fool at times but we also get a glimpse behind the persona
that Dylan crafted so well. Scorsese doesn’t remove the mask
just pull it up to reassure us that there is, indeed, a human
being underneath all the artific. ---
|
Image
and Sound: |
A very nice transfer and mix of
vintage and recent footage, “Bob Dylan: No Direction Home”
doesn’t look perfect but then the image fits the picture painted
of Dylan himself—an imperfect but dazzling artist. The vintage
footage varies a bit in quality from extremely good to OK
but that’s due more to the source and not the transfer itself.
The new interview footage looks sharp, crisp and clean with
solid blacks and accurate colors. The audio varies a bit as
well given that we hear a mix of vintage material from the
vaults and newly recorded comments.
|
The
Extras: |
While this isn’t an extra per se,
I would like to point out that the chapters are nicely placed
on the disc. The live performances are also indexed very nicely
as well. We get an unused promotional spot shot for “Positively
4th Street” Dylan’s acerbic, witty and sarcastic put down
of holier than thou folk fans and footage of the performance
of “I Can’t Leaver Her Behind” which it is suggested is a
“Work in Progress in Hotel Room”. It lives up to its title.
|
Commentary:
|
No commentary
track |
Final
Words: |
Almost as mysterious as it is enlightening,
“Bob Dylan: No Direction Home” (quoting a line from “Like
a Rolling Stone”) gives us a glimpse into the life of America’s
celebrated musician. From folk star to rock star, Dylan has
continued to break barriers throughout his long career. He’s
not perfect but man he sure looks good in that “Leopard Pillbox
Hat”.
|
|
|