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“The Mentalist: The Complete First Season”
Reviewer:
Wayne Klein
Studio: Warner Home Video
Genre:
TV-Series
Release Date:
9/21/09
Special Features:

Two featurettes, deleted scenes, gag reel

Review:

We all know that Sherlock Holmes was pretty mental. After all he seemed to have something akin to OCD at times and let’s not even discuss his addiction to morphine. “The Mentalist” is like having a somewhat politically correct version of Sherlock Holmes. “The Mentalist” has become a huge hit for CBS giving us a new variation on the police procedural drama that has taken the airwaves by storm over the last decade. Created by Bruno Heller “The Mentalist” stars Simon Baker (“L.A. Confidential”) as an illusionists/showman who uses his powers of deduction to help the police solve difficult cases. Much like “Psych” Patrick Jane (Baker) sees clues that the ordinary person might miss trying to help the police catch the latest serial killer (there seems to be a whole bunch of them cropping up) called Red John. When not solving cases he spends his time annoying or charming his boss (Robin Tunney of “Prison Break”). ***

The premise seems solid enough but it’s the execution that’s lacking here. The main problem with the series is that because of the premise it crosses the border into predictable territory. The writing fails to develop the characters or situations to any great degree making us not really care about the outcome. While often clever the show develops that cleverness at the expense of credible storytelling and characters. That’s too bad because the show has a lot of potential and has strong performances from the main actors. ---

Image & Sound:

“The Mentalist” arrives with its original anamorphic widescreen format intact. The handheld cameras and use of digital video undermines the show to a certain extent; the format is designed to make the show “feel” real but just makes it look sloppy and there’s no real reason for the show to adopt this format (unlike, say, “Battlestar Galatica” or “24”). There are a considerable amount of digital artifacts throughout and while foreground objects including close ups are often sharp looking the backgrounds are often soft and blurry. ***

The audio sounds quite good with a nice use of the surround format to add to the ambience of the show. Dialogue is crystal clear throughout the presentation. ---

Special Features:

We get two featurettes “Evidence of A Hit Series” that focuses on how Heller developed the series and what inspired him and “Cracking The Crystal Ball” which contrasts the differences between a mentalist (someone who pretends to read people’s minds via observation, etc. essentially a form of illusionist that fits in with magic acts) vs. a psychic someone who claims to be able to SEE the future and predict what’s going to occur or see things that happened in people’s past. ***

*** We also get deleted scenes and a gag reel. ---

Final Words:

“The Mentalist” became a runaway hit for CBS and while it has potential if fails to live up to that potential due to weak writing and the bizarre choice of using digital handheld cameras to shoot the series resulting in often blurry looking images.

 

 
 
 
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