Special
Features: |
Audio Commentary featuring Sir Roger Moore, Audio Commentary
featuring director Lewis Gilbert and members of the Cast
and Crew, Declassified M16 VAULT: 007 Mission Control, Women,
Allies, Villains, Mission Combat Manual, Q Branch, Exotic
Locations, Mission Dossier, Ministry of Propaganda, Image
Database, BD Live Bootstrap
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Review:
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Note: This film is available separately, and as one
of the films in the James Bond Vol. 3 Blu-Ray set (which
contains Goldfinger, Moonraker, and The World is Not Enough.)
Moonraker (1979) is the eleventh film in the James Bond
series. It is directed by Lewis Gilbert and stars Roger
More, Desmond Llewelyn, Bernard Lee, Richard Kiel, and Michael
Lonsdale. The musical score is performed by John Barry,
and the title song is performed by Shirley Bassey.
James Bond (Moore) is hot on the trail of Hugo Drax
(Lonsdale), a pioneer in the space program who has ulterior
motives. Building a space station, Drax is plotting to nerve
gas the planet, killing all its inhabitants, so that he
can repopulate the world with his own truly-perfect master
race. It’s up to Bond to prove the guilt of the evil industrialist,
and to do so, he’ll have to confront Drax – in space. To
make things even worse for bond, Carl Stromberg’s old employee
Jaws (Kiel), one of the deadliest foes Bond ever faced,
is now in Drax’s hire. ***
In the 1970s, with the release of Star Wars, there
was a massive space craze. Needless to say, the James Bond
producers had to get in on it. Moonraker was the Bond franchise’s
attempt at this. To put it bluntly, the film has aged horribly.
It’s one of the cheesiest entries in the Bond canon, and
apart from some good action scenes on Earth, there’s not
much that makes this one worthwhile. ***
Perhaps the biggest shock is that this film was directed
by Lewis Gilbert, who previously directed You Only Live
Twice and The Spy Who Loved Me, two of the series’ most
memorable films. But considering he probably had no control
over the script and the material (the producers wanted to
get in on the space craze), he can’t be blamed for the atrocity
that came to be. ***
There are some good moments in the film, including
a memorable opening teaser sequence, and a duel between
Jaws and Bond atop a cable car. This was also Bernard Lee’s
final performance as M, a role he’d held since the beginning
of the series. But come the third act of Moonraker, when
the action goes to space, the film loses any and all credibility
it may have had. Cheesy and campy can’t begin to describe
the climax. Even Jaws, formerly a threatening character,
loses some of his edge. ***
It’s also worth noting that this film has NOTHING in
common with the Ian Fleming novel of the same name. Apart
from the main villain being named Hugo Drax, THERE ARE NO
SIMILARITIES. In my experiences with James Bond, the best
films in the series are the ones that stay fairly close
to the source material (Dr. No, From Russia with Love, On
Her Majesty’s Secret Service, etc.) The further the movie
is from the novel that supposedly inspired it, the worse
it us ually turns out. Moonraker is proof. ***
Moonraker is for James Bond completists only. EON couldn’t
keep a hot streak of Bond films going when the sixties ended,
and Moonraker is further proof of that. Are there good moments
here? Yes, but they don’t prevent this from being a campy,
unmemorable entry in the franchise. 2 stars out of 5. ---
Image and Sound:
Several years ago, the James Bond movies (which had
seen a ton of home video releases already) underwent an
extensive, frame-by-frame restoration. A good deal of print
damage and dirt were removed in an effort that took several
years to complete. ***
The end result is, to put it simply, well worth it.
***
Lowry Digital Images knows how to restore movies. Their
restoration of the James Bond back catalogue is, hands down,
the greatest restoration job this reviewer has EVER seen.
This film is no exception. They have taken movies, that
are in some cases, nearly half a century old, and made them
look as good as they day when they premiered in theatres,
if not better. The image is clear throughout, without any
sort of issue. From what I can tell, no DNR was used in
these transfers, and there is a staggering amount of detain
not noticeable in any standard-def release of the movie.
Lowry did one hell of a job restoring this franchise. ***
As if the image restoration wasn’t enough, the films
now have lossless audio tracks. If you’ve got a speaker
set, you’ll be able to experience these films (both audio
and visual-wise) like you never have before.
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