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Progland was founded by John Gabbard in 2005. It's purpose has been to provide you, the music community with the latest music and dvd reviews. It will continue to be your link to the most popular music reviews in the progressive world.

 

Kino-Cutting Room Floor

Label - CD Kino Music KINOCD-1 (2005)
Reviewed by: Jason Carzon
Genre: Prog Rock
Country: England
Language: English
Length: 55:29
Release Date: 12-05
Label:
CD Kino Music KINOCD-1 (2005)
Band Members: John Mitchell (Arena / The Urban) / lead Vocals, guitar John Beck (It Bites) / keyboards, vocals
  Pete Trewavas (Marillion) / bass, vocals, lead vocals (6) Chris Maitland (Ex-Porcupine Tree) / drums, vocals
  Bob Dalton / drums, vocals
     
Track Listing: 1.)- People (Live) (7:03) 8.)-Say You Will (Demo) (14:39)
  2.)-Throw It Away (Demo) (4:35) 9.)-Parade + Hidden Track (Unreleased Kevin Gilbert Cover) (9:49)
  3.)- Perfect Tense (Live) (4:24)  
  4.)-All You See (Demo) (5:13)  
  5.)-Room For Two (Live) (3:52)  
  6.)-Won't Fall Down (Demo) (2:44)  
  7.)-Picture (Live) (3:10)  
The Review

This on-line only limited edition disc is well worth having, as KINO were one of the best surprises of early 2005. Consisting of Arena's John Mitchell, Marillion's Pete Trewavas, former Porcupine Tree drummer Chris Maitland and John Beck from It Bites, the 'Neo-prog supergroup' had managed to offer up a perfect blend of accessable and melodic rock with incredible scope and maturity. This disc consists of demos of further new songs and live versions of material from their one album, PICTURE. As far as sound quality goes, the entire disc is not 'bootleggy' by any means, and the 'demos' are rather cohesive and pretty far along in developement. As one of them is a 14-minute epic, I'm hoping this material surfaces somewhere where it can enjoy greater exposer. This certainly whet my appetite for good Neo music, and a welcome addition to the collection.

The trax:

PEOPLE, PRESENT TENSE, ROOM FOR TWO, PICTURE:These tracks from PICTURE are live versions and pretty much true to their originals. As you can hear:

ROOM FOR TWO is pretty good in a live enviroment.

PICTURE, is slightly different however. Here, a short and reflective track with just piano voice and effects is even further stripped down to just simple piano and the naked voice, making this track even more haunting.

THROW IT AWAY:

Drum loops introduce this demo with a mid-tempo modern rock feel, possibly left off of the album due to an overabundance of similar material. There's a hint of Beatles with the mellotron 'flute' sounds and a George Harrison guitar bit in the middle. It's said that John Mitchell originally wanted KINO to be a 5-piece band and wanted Ray Wilson as lead vocalist, but Ray was already busy and enjoying success with his own solo carrer, and thus declined. I can almost hear where Ray would fit on this track, almost hear his voice. This track has some acoustic guitar as well, unlike the PICTURE album where acoustic doesn't crop up too often.

ALL YOU SEE: demo of the track from PICTURE features, I believe, some vocals from Pete Trewavas on the verses.

WON'T FALL DOWN: another Beatlesy track with some tambourine and mock 'string' section bopping away. Maybe some Ray Wilson-era Genesis as well. I could be mistaken, but I think Pete sings some on here too. I'm hoping for a Trewavas solo album one day.

SAY YOU WILL: well, most bands don't keep 15-minute epic tracks lying around to be used as filler for internet-only demo CD's. I'm hoping this one surfaces on a future KINO record. Looking at the track's length, I thought maybe this was some jam or work in progress or something, but no- it's an actual long song, developed and cohesive. It goes through many moods, changes and influences. I would say there's a kinda YES sound to some of it. The Harmonies, texture and Wakemanesque organ solos. But also kinda Billy Sherwood too. That is, if Sherwood was a member of the classic 70's YES in some alternate reality, this is what it may have sounded like. I like the vocal harmony effect during the 'country-ish' section, almost like it was recorded in some very large dome. After a bit of Yessiness, it goes back into the traditional neo sound and fades. A stellar track, on a online-only cardboard sleave demo disc?!? Slap this puppy AS IS onto the next KINO record.

PARADE: one great loss to rock music was the death of Kevin Gilbert(Toy Matinee, etc.), who never really got the recognition he deserved and certainly could have went on to better things. This short Gilbert track was recorded for a tribute album which was never released. He didn't even get a tribute album. At least you can hear it here. Reminds me a little of something from Rob Fetters(of The BEARS with Adrian Belew). After a couple minutes of silence, one of those 'hidden' track things emerges- an anthemic instrumental bit with some nice shimmering keys and soulful guitar solos. This could have been developed for some other song's middle section perhaps, nice expressive playing.

Roll out the next KINO record!

 

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